A catalogue record for this book is available from the Library of Congress. A catalogue record for this book is available from the British Library. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes. All internet addresses given in this book were correct at the time of going to press. Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third-party websites referred to or in this book. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Photography by Hélène All rights reserved. Cover design: Eleanor Rose Cover image: Curtain onto Piazza San Marco, Venice, 2010. xv–xvi constitute an extension of this copyright page. For legal purposes the Acknowledgements on pp. Writing Architectures Ficto-Critical Approaches Edited by H É L È NE FRICHOT and NAOMI STEADīLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2020 Selection and editorial matter © Hélène Frichot and Naomi Stead, 2020 Individual chapters © their authors, 2020 Hélène Frichot and Naomi Stead have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as Editors of this work.
The lamp post: The anchor for a collective fictionĬHAPTER NINETEEN Postlude: Fictocriticism after Critique Slides that travel down beneath the visible world
CHAPTER ONE Prelude: The Ways in Which We WriteĬHAPTER TWO Waking Ideas from Their Sleep: An Introduction to Ficto-critical Writing in and of ArchitectureĬHAPTER THREE From Site to Situation: Cutting Up as Fictocritical CompositionĬHAPTER FOUR Construction (and Connection)ĬHAPTER FIVE Incompossible Constructions of an Island ParadiseĬHAPTER SIX Archaeologies of Exile on Trikeri Island: Listening to Stones and Speculating on Prison MattersĬHAPTER SEVEN In Which Robert Smithson Visits Christchurch: Ficto-criticism and the Field TripĬHAPTER EIGHT Hiroshima: Notes on the Expanded FieldĬHAPTER NINE Writing Walking: Ficto-critical Routes through Eighteenth-century LondonĬHAPTER TEN The Indelible Traces of Her FootstepsĬHAPTER TWELVE Outrage on Calle de AlcaláĬHAPTER THIRTEEN The Aesthetic Recycling of Cultural RefuseĬHAPTER FOURTEEN The Architect Who Couldn’t WriteĬHAPTER FIFTEEN Return to Cold Spring Harbor Laboratory after The Marriage PlotĬHAPTER SEVENTEEN Nice House, Woodland LakesĬHAPTER EIGHTEEN The Door Left Ajar: On Dissident Waiting and Collective Fiction
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